The process.?Ģ) direct the subject in real-time to pose.Ĥ) Import the footage and from the 4k rushes pluck out the ‘moments’ you want from the 24+/sec you have availible. Reports from a recent Vanity Fair shoot is that famed Photographer Annie Leibovitz shot a session with Tina Fey not on the usual assortment of Canon and Nikon digital SLR’s but rather with a RED ONE. Why work with a camera whose mechanics are based around the idea of ‘capturing’ a moment plucked from the air – a snapshot – when you can simply hit REC on a video camera, capture 24+ photos every second and then, at will, select and choose any of the captured moments you wish? Up until this point, the factor preventing this mindset was Resolution – the fact that still image resolutions are very high and moving image resolutions are very low. This seems to be the question some high-profile still photographers are asking themselves.
Why Capture the moment when you can Select it.?
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